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Journées sonores canal de Lachine, 2000-2004

Journées sonores canal de Lachine, 2000-2004

Andra McCartney, Concordia University

Le Project

<<Journées Sonores, canal de Lachine>>est un projet sonore de documentation sur les modifications du paysage sonore du canal Lachine au fur et à mesure des différentes étapes de son réaménagement. Comme tous les projets de rénovation urbaine, ce projet de plusieurs années et millions de dollars a de profonds effets sur le contenu sonore des abords du canal. L’enregistrement, pendant plusieurs années, des sons depuis la piste qui court le long du canal a permis la création d’images sonores condensées accompagnant ces changements urbains. Nous espérons qu’en les écoutant, ces sons vous sensibiliseront au lieu – en particulier vous qui vivez et travaillez aux abords du canal – et que vous serez amenés à penser votre rapport avec les sons de ce lieu. Contrairement aux représentations visuelles, les enregistrements de sons ne cadrent pas de scènes ou d’édifices particuliers, mais soulignent des rapports entre sources différentes, comme la circulation de voitures ou de bateaux, des cyclistes, des machines industrielles ou de construction et des piétons.

Les enregistrements sonores ont été juxtaposés à des illustrations du canal Lachine. Notre intention était de mettre en relief différents angles d’un environnement donné en fonction de sources et perspectives différentes.

Le document ci-attaché Lachine Canal francais était produit pour l’installation au Musée de Lachine. En commençant sur la page 24 on peut trouver une liste de notes qui s’agissent de l’environnement du  canal de Lachine. On peut les entendre sur youtube:

https://www.youtube.com/watch?v=qh341k2f4lU&list=PLIG92ZJmuTlXF4FpScYlXOOCBSNDpAna6

Journées sonores, canal de Lachine is a sound project which reflects on shifts in the soundscape of the Lachine canal as it changed with each phase of a revitalization project, as the canal re-opened as a recreation area in 2002, after many decades of dormancy while the St. Lawrence Seaway moved shipping and industrialization to another area on the south shore of the river. Like all urban renewal projects, this multi-year, multi-million dollar project has profound effects on the areas surrounding the canal. By recording sounds from the areas around the canal over several years, this project created condensed sonic images that followed these urban changes, as well as imaginary scenes from its past based on interviews with local residents. These sound recordings do not frame particular buildings or scenes, but point to relationships among different sources such as auto and boating traffic, cyclists, industrial/construction machines and pedestrians, and reveal the changing ambiences of these places over time.

In the final phase of this project, a multimedia installation was produced for display at the Musée de Lachine (2004), in a historical building adjacent to the canal. The show included an interactive computer installation, bringing together sounds recorded throughout several years. It also included more composed meditations on particular sites, along with photographic and drawn images and found objects. Comments from the project’s website were also included. Visitors to the gallery were encouraged in turn to comment on the installation and how it affected their perception of and attitude toward the sounds of the Canal. It was possible then to go outside and do a soundwalk immediately after experiencing the installation.

The booklet that is inserted here was produced for the Musée de Lachine installation. Journées sonores canal de Lachine.

Starting on page 24 is a list of notes that are associated with short pieces about the Lachine canal sound environment. These pieces can be viewed as a playlist from the andrasound channel on youtube:
https://www.youtube.com/watch?v=qh341k2f4lU&list=PLIG92ZJmuTlXF4FpScYlXOOCBSNDpAna6

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