Walking Archives: The Soy Children by Eduardo Molinari
I have been reading Walking Archives: The Soy Children, by Argentinean artist and writer Eduardo Molinari. He walks us into the GMO soy fields of Monsanto, covering more than half of cultivated lands in that country. There is an oblique connection to the work of Soundwalking Interactions: the Buenos Aires soundwalk in December 2010 by chance crossed paths with a Monsanto demonstration.
Molinari says: “My archive … took shape based on three sources or types of documents: copies of the AGN’s [national archives] official photographic material, the photographs I take on walks, and lastly what I call junk or garbage documentation: scraps and fragments of print media (magazines, newspapers, graphics in general) and publications (books, posters, postcards, maps, etc.) Those three elements, joined together as a manual collage, have created the Documents of the Walking Archive…. The process behind the relationship between the Walking Archive and the collective processes I take part in has been coloured from the outset by the dynamic of the walker: it’s a relationship that’s always in context, always linked to others, always open to new forms of knowledge and practices. That’s why I refer to the Walking Archive as a project in which walking as an aesthetic practice and collective and interdisciplinary at ion are at the core.” (2012: 2)
Molinari, Eduardo. Walking Archives: The Soy Children. Brooklyn, NY: Autonomedia, 2012.